The latter is adjustable over a wide enough range to accommodate a Euphonics Miniconic or an Ortofon pickup. It has wide-range adjustments for tangency, height, static balance, torsional balance, pickup tilt, bias compensation, and tracking force. The 3009 (with 9” pivot-to-stylus distance) is the arm we recommend for the home user, and it shares with the 3012 the distinction of being the most versatile conventional-type tonearm on the market today. The Model 3012 is 12” from pivot to stylus, to accommodate old broadcast-type 16” transcriptions, but its mass is too high for the majority of to day's high-compliance pickups.
There are two models available, differing only in pivot-to-stylus distance and in total mass. It was available in a stereo version as far back as 1961, and apart from a couple of minor refinementsthe addition of a bias compensator and a new, lightweight shellit is still the same arm, and it still has the reputation of being the perfectionist's tonearm. 1 Blumenhofer A.This is by no means a new product. Extraordinary.Īrmin (1) Austria (12) Award (1) Belgium (4) big Fun 17 (32) big Fun 20 (11) CDs (22) China (20) Clara Luna (5) Classic 1733 (1) Classic Serie (1) Communication (34) Company Report (10) Croatia (2) Czech Republic (1) Denmark (2) Distributor (28) Event (76) Finland (2) FJ OM (2) France (7) Fun 10 (10) Fun 13 (26) Fun 13 MK 2 (1) Fun 17 (7) Genuin BKS (1) Genuin FS 1 (45) Genuin FS 2 (61) Genuin FS 3 (61) Genuin FS 4.2 (4) Genuin FS 5 (3) Germany (93) Gioia (7) Gran Gioia (15) Gran Gioia 2x10 (3) Gran Gioia MK 2 (1) Greece (6) HiFi Show (113) Hungary (1) India (1) Italy (44) Kazakhstan (1) Korea (2) Listening Session (8) Luxemburg (1) Mini (10) Mini SE (6) Netherlands (40) Norway (6) Partners (13) Poland (7) Press (105) Product (43) Puerto Rico (1) Review (80) Review Armin (1) Review big Fun 17 (6) Review big Fun 20 (1) Review Clara Luna (1) Review FJ OM (2) Review Fun 10 (1) Review Fun 13 (8) Review Fun 17 (3) Review Genuin FS 1 (8) Review Genuin FS 2 (8) Review Genuin FS 3 (9) Review Genuin FS 5 (1) Review Gran Gioia (3) Review Mini (6) Review Mini SE (2) Review Tempesta 17 (5) Review Tempesta 20 (2) Review Wiki (4) Russia (1) Slovenia (6) Spain (3) Special Projects (1) Sweden (11) Switzerland (10) Taiwan (4) Tempesta 17 (20) Tempesta 17 Bookshelf (4) Tempesta 20 (15) Turkey (1) Ukraine (1) United Kingdom (7) USA (4) Wiki (6) After hours we were eating in the restaurant and René suggested to name it after the project: Grove into Bits was what we did. It took us a longer time than expected but was fun. The songs were chosen and we started the recording process.
Marco had a Acoustic Signature Ascona with an SME tonearm and a Soundsmith cartridge in the trunk of the car.
#SME TONEARM WIKI HOW TO#
Then, the task was set, how to perform it? Simple?Ĭonny Englmeier started playing DJ, Fritz connected his Marantz mastering equipment, Lars set up the Kanzy power amplifier, and Tom connected our Wiki: if we need a monitor speaker why not the best one available? Spontaneous was the question… why don't we master it to a CD trying to keep the analog feeling of the turntable. We met in Walkertshofen last September and started listening for music of all kinds. It was extraordinary and it has borne by chance. We already informed You about this project.
In cooperation with STS-Digital, we produced the Groove into Bits Vol.
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